Barbara Gordon is a fictional character, a superheroine appearing in comic books published by DC Comics and in related media. The character was created by Gardner Fox and Carmine Infantino. At the request of the producers of the 1960s Batmantelevision series, DC editor Julius Schwartz called for a new female counterpart to the superhero Batman that could be introduced into publication and the third season of the show simultaneously. The character subsequently made her first comic book appearance as Batgirl in Detective Comics No. 359 titled, "The Million Dollar Debut of Batgirl!"
(1967) by writer Gardner Fox and artist Carmine Infantino. Written as the daughter of Gotham City police commissioner James Gordon, her civilian identity is given a doctorate in library science and she is employed as head of Gotham City Public Library, as well as later being elected to the United States Congress.
In addition to appearing in other DC publications, she receives her first starring role in Batman Family which debuted in 1975, partnered with the original Robin, Dick Grayson. In 1988, following the editorial retirement of the character's Batgirl persona inBarbara Kesel's Batgirl Special No. 1, Alan Moore's graphic novel Batman: The Killing Joke depicts the Joker shooting her through the spinal cord in her civilian identity, resulting in paraplegia. In subsequent stories, editor Kim Yale and writer John Ostrander establish the character as a computer expert and information broker known as Oracle. Providing intelligence and computer hacking services to assist other superheroes, she makes her first appearance as Oracle in Suicide Squad No. 23 (1989). She is featured in the one-shot comic Black Canary/Oracle: Birds of Prey (1996) written by Chuck Dixon, which later became the monthly title Birds of Prey starring both characters. The series depicts her as a great intellect uninhibited by her paralysis, skilled in the martial art of eskrima. Employing Black Canary as her partner and field agent, Oracle later operates as the leader of a full team of female crimefighters who engage in global espionage missions, under writer Gail Simone. In 2011, following a company wide relaunch of all DC Comics titles, the character's mobility is restored and she is given a starring role in the eponymous Batgirl monthly comic, as well as Birds of Prey, as part of The New 52.
Barbara Gordon is described as one of the most popular characters to appear during the Silver Age of Comic Books and is also regarded as a pop icon due to her appearances in the Batman television series and continued media exposure. She has achieved similar popularity in the Modern Age of Comic Books under the Birds of Prey publication and as a disability icon. The character has been the subject of academic analysis concerning the roles of women, librarians and people living with disabilities in mainstream media. The events of The Killing Joke, which led to the character's paralysis, as well as the restoration of her mobility, has been a subject of debate among comic book writers, artists, editors and readership. Viewpoints range from sexism in comic books, to the limited visibility of disabled characters and the practicality of disabled characters existing in a fictional universe where magic, technology, and medical science exceed the limitations of the real world. Barbara Gordon, as both Batgirl and Oracle, has been adapted into various media relating to the Batman franchise, including television, film, animation, video games, and other merchandise. In 2011, she was ranked 17th in both Comics Buyer's Guide's "100 Sexiest Women in Comics" and IGN's "Top 100 Comic Books Heroes".
Detective Comics, Batman Family and other appearances (1967–1988)[edit]
The Million Dollar Debut of Batgirl. Cover byCarmine Infantino &Murphy Anderson.
Prior to the introduction of Barbara Gordon, the Batwoman character and her side-kick Bat-Girl appeared in Batman-related publications, but were eventually removed at the direction of editor Julius Schwartz for being outdated and unrealistic. Schwartz stated that he had been asked to develop a new female character in order to attract a female viewership to the Batman television series of the 1960s.Executive producer William Dozier suggested that the new character would be the daughter of Gotham City's Police Commissioner James Gordon, and that she would adopt the identity of Batgirl. When Dozier and producer Howie Horowitz saw rough concept artwork of the new Batgirl by artist Carmine Infantino during a visit to DC offices, they optioned the character in a bid to help sell a third season to the ABC television network. Infantino reflected on the creation of Batgirl, stating "Bob Kane had had a Bat-Girl for about three stories in the ’50s but she had nothing to do with a bat. She was like a pesky girl version of Robin. I knew we could do a lot better, so Julie and I came up with the real Batgirl, who was so popular she almost got her own TV show."Yvonne Craig portrayed the character in the show's third season. Barbara Gordon and alter ego Batgirl debuted in Detective Comics No. 359, "The Million Dollar Debut of Batgirl" (1967), as the daughter of Gotham City's Police Commissioner James Gordon. In the debut story, while driving to a costume ball dressed as a female version of Batman, Barbara Gordon intervenes in a kidnapping attempt on Bruce Wayne by the super villain Killer Moth, attracting Batman's attention and leading to a crime-fighting career. Although Batman insists she give up crime-fighting because of her gender, Batgirl disregards his objections.
In her civilian identity, Barbara Gordon, Ph.D., is depicted as a career woman with a doctorate in library science, as well as being head of Gotham City public library, "presumably one of the largest public libraries in the DC Comics version of reality." She was given a regular backup slot inDetective Comics starting with issue #384 (February 1969), alternating issues with Robin until issue #404, after which she had the backup slot to herself. Frank Robbins wrote nearly all of these backups, which were penciled first by Gil Kane and later by Don Heck. Barbara Gordon’s Batgirl exceeded the earlier Bat-Girl and Batwoman characters in popularity, and readers requested for her to appear in other titles. Although some readers requested that Batwoman also continue to appear in publication, DC responded to the fan-based acclaim and criticism of the new character in an open letter in Detective Comics No. 417 (1971),stating: "I'd like to say a few words about the reaction some readers have to Batgirl. These are readers who remember Batwoman and the other Bat-girls from years back ... They were there because romance seemed to be needed in Batman's life. But thanks to the big change and a foresighted editor, these hapless females are gone for good. In their place stands a girl who is a capable crime-fighter, a far cry from Batwoman who constantly had to be rescued [by] Batman."
Batgirl continues to appear in DC Comics publications throughout the late 1960s and 1970s, as a supporting character in Detective Comics, in addition to guest appearances in various titles such as Justice League of America, World's Finest Comics,The Brave and the Bold, Action Comics, and Superman. In the mid-1970s, Batgirl reveals her secret identity to her father (who had already discovered it on his own), and serves as a member of the United States House of Representatives. She moves to Washington, D.C., intending to give up her career as Batgirl and in June 1972, appeared in a story entitled "Batgirl's Last Case." Julius Schwartz brought her back a year later in Superman No. 268 (1973), in which she has a blind date with Clark Kent, establishing their friendship, and fights alongside Superman. Batgirl and Superman team up twice more, in Superman No. 279 and DC Comics Presents #19. Batgirl also guest-starred in other Superman related titles such as No. 453 of Adventure Comics, and in Superman Family No. 171, where she teams with Supergirl. The character is given a starring role in DC's Batman Family comic book which debuted in 1975. The original Robin Dick Grayson became her partner in the series and the two were frequently referred to as the "Dynamite Duo: Batgirl & Robin." Batgirl meets Batwoman in Batman Family No. 10, when the retired superhero briefly returns to crime-fighting (before Kane is murdered by the Bronze Tiger). The two fight Killer Moth and Cavalier, and learn each other's secret identities. Batwoman retires once again at the conclusion of the story, leaving Batgirl to continue crime-fighting. Although this series ended after three years of publication,Batgirl continued to appear in back up stories published inDetective Comics through issue No. 519 (October 1982).
Crisis on Infinite Earths, a limited miniseries published in 1985, was written in order to reduce the complex history of DC Comics to a single continuity. Although Batgirl is a featured character, her role is relatively small—she delivers Supergirl's eulogy in issue seven of the 12-part series.The conclusion of Crisis on Infinite Earths changed DC Universe continuity in many ways. Following the reboot, Barbara Gordon is born to Roger and Thelma Gordon, and she is Jim Gordon's niece/adopted daughter in current canon. Post-Crisis, Supergirl does not arrive on Earth until after Gordon has established herself as Oracle; many adventures she shared with Batgirl are retroactively described as having been experienced by Power Girl. In Secret Origins #20: Batgirl and the Golden Age Dr. Mid-Nite (1987),Barbara Gordon's origin is rebooted by author Barbara Randal. Within the storyline, Gordon recounts the series of events that lead to her career as Batgirl, including her first encounter with Batman as a child, studying martial arts under the tutelage of a sensei, memorizing maps and blue prints of the city, excelling in academics in order to skip grades, and pushing herself to become a star athlete.
References
- McAvennie, Michael; Dolan, Hannah, ed. (2010), "1960s", DC Comics Year By Year A Visual Chronicle, Dorling Kindersley, p. 122, ISBN 978-0-7566-6742-9, "Nine months before making her debut on Batman, a new Batgirl appeared in the pages of Detective Comics...Yet the idea for the debut of Barbara Gordon, according to editor Julius Schwartz, was attributed to the television series executives' desire to have a character that would appeal to a female audience and for this character to originate in the comics. Hence, writer Gardner Fox and artist Carmine Infantino collaborated on "The Million Dollar Debut of Batgirl!""
- Frankenhoff, Brent (2011), Comics Buyer's Guide Presents: 100 Sexiest Women in Comics, Krause Publications, p. 20, ISBN 1-4402-2988-0
-100 Comic Book Heroes, IGN Entertainment, retrieved July 6, 2011
-Les Daniels (2004), Batman: The Complete History, Chronicle Books, pp. 113, 115, ISBN 0-8118-4232-0
-Cassell, Dewey (February 2010). "Growing Up Gordon: The Early Years of Batgirl".Back Issue (38) (TwoMorrows Publishing). pp. 65–70.
-Michael Fitzgerald (2007), Carmine infantino: Decades at DC and Beyond, archived from the original on November 24, 2007, retrieved November 23, 2007
-Les Daniels (1995), DC Comics: Sixty Years of the World's Favorite Comic Book Heroes, Bulfinch, p. 141, ISBN 0-8212-2076-4
-Mike Madrid (2009), The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, Exterminating Angel Press, pp. 136–138, ISBN 978-1-935259-03-9
-Wendi Arant; Candace Benefiel (2002), The Image and Role of the Librarian, Haworth Press, pp. 77–80, ISBN 0-7890-2099-8
-Detective No. 417, DC Comics, 1971
(1967) by writer Gardner Fox and artist Carmine Infantino. Written as the daughter of Gotham City police commissioner James Gordon, her civilian identity is given a doctorate in library science and she is employed as head of Gotham City Public Library, as well as later being elected to the United States Congress.
In addition to appearing in other DC publications, she receives her first starring role in Batman Family which debuted in 1975, partnered with the original Robin, Dick Grayson. In 1988, following the editorial retirement of the character's Batgirl persona inBarbara Kesel's Batgirl Special No. 1, Alan Moore's graphic novel Batman: The Killing Joke depicts the Joker shooting her through the spinal cord in her civilian identity, resulting in paraplegia. In subsequent stories, editor Kim Yale and writer John Ostrander establish the character as a computer expert and information broker known as Oracle. Providing intelligence and computer hacking services to assist other superheroes, she makes her first appearance as Oracle in Suicide Squad No. 23 (1989). She is featured in the one-shot comic Black Canary/Oracle: Birds of Prey (1996) written by Chuck Dixon, which later became the monthly title Birds of Prey starring both characters. The series depicts her as a great intellect uninhibited by her paralysis, skilled in the martial art of eskrima. Employing Black Canary as her partner and field agent, Oracle later operates as the leader of a full team of female crimefighters who engage in global espionage missions, under writer Gail Simone. In 2011, following a company wide relaunch of all DC Comics titles, the character's mobility is restored and she is given a starring role in the eponymous Batgirl monthly comic, as well as Birds of Prey, as part of The New 52.
Barbara Gordon is described as one of the most popular characters to appear during the Silver Age of Comic Books and is also regarded as a pop icon due to her appearances in the Batman television series and continued media exposure. She has achieved similar popularity in the Modern Age of Comic Books under the Birds of Prey publication and as a disability icon. The character has been the subject of academic analysis concerning the roles of women, librarians and people living with disabilities in mainstream media. The events of The Killing Joke, which led to the character's paralysis, as well as the restoration of her mobility, has been a subject of debate among comic book writers, artists, editors and readership. Viewpoints range from sexism in comic books, to the limited visibility of disabled characters and the practicality of disabled characters existing in a fictional universe where magic, technology, and medical science exceed the limitations of the real world. Barbara Gordon, as both Batgirl and Oracle, has been adapted into various media relating to the Batman franchise, including television, film, animation, video games, and other merchandise. In 2011, she was ranked 17th in both Comics Buyer's Guide's "100 Sexiest Women in Comics" and IGN's "Top 100 Comic Books Heroes".
Detective Comics, Batman Family and other appearances (1967–1988)[edit]
The Million Dollar Debut of Batgirl. Cover byCarmine Infantino &Murphy Anderson.
Prior to the introduction of Barbara Gordon, the Batwoman character and her side-kick Bat-Girl appeared in Batman-related publications, but were eventually removed at the direction of editor Julius Schwartz for being outdated and unrealistic. Schwartz stated that he had been asked to develop a new female character in order to attract a female viewership to the Batman television series of the 1960s.Executive producer William Dozier suggested that the new character would be the daughter of Gotham City's Police Commissioner James Gordon, and that she would adopt the identity of Batgirl. When Dozier and producer Howie Horowitz saw rough concept artwork of the new Batgirl by artist Carmine Infantino during a visit to DC offices, they optioned the character in a bid to help sell a third season to the ABC television network. Infantino reflected on the creation of Batgirl, stating "Bob Kane had had a Bat-Girl for about three stories in the ’50s but she had nothing to do with a bat. She was like a pesky girl version of Robin. I knew we could do a lot better, so Julie and I came up with the real Batgirl, who was so popular she almost got her own TV show."Yvonne Craig portrayed the character in the show's third season. Barbara Gordon and alter ego Batgirl debuted in Detective Comics No. 359, "The Million Dollar Debut of Batgirl" (1967), as the daughter of Gotham City's Police Commissioner James Gordon. In the debut story, while driving to a costume ball dressed as a female version of Batman, Barbara Gordon intervenes in a kidnapping attempt on Bruce Wayne by the super villain Killer Moth, attracting Batman's attention and leading to a crime-fighting career. Although Batman insists she give up crime-fighting because of her gender, Batgirl disregards his objections.
In her civilian identity, Barbara Gordon, Ph.D., is depicted as a career woman with a doctorate in library science, as well as being head of Gotham City public library, "presumably one of the largest public libraries in the DC Comics version of reality." She was given a regular backup slot inDetective Comics starting with issue #384 (February 1969), alternating issues with Robin until issue #404, after which she had the backup slot to herself. Frank Robbins wrote nearly all of these backups, which were penciled first by Gil Kane and later by Don Heck. Barbara Gordon’s Batgirl exceeded the earlier Bat-Girl and Batwoman characters in popularity, and readers requested for her to appear in other titles. Although some readers requested that Batwoman also continue to appear in publication, DC responded to the fan-based acclaim and criticism of the new character in an open letter in Detective Comics No. 417 (1971),stating: "I'd like to say a few words about the reaction some readers have to Batgirl. These are readers who remember Batwoman and the other Bat-girls from years back ... They were there because romance seemed to be needed in Batman's life. But thanks to the big change and a foresighted editor, these hapless females are gone for good. In their place stands a girl who is a capable crime-fighter, a far cry from Batwoman who constantly had to be rescued [by] Batman."
Batgirl continues to appear in DC Comics publications throughout the late 1960s and 1970s, as a supporting character in Detective Comics, in addition to guest appearances in various titles such as Justice League of America, World's Finest Comics,The Brave and the Bold, Action Comics, and Superman. In the mid-1970s, Batgirl reveals her secret identity to her father (who had already discovered it on his own), and serves as a member of the United States House of Representatives. She moves to Washington, D.C., intending to give up her career as Batgirl and in June 1972, appeared in a story entitled "Batgirl's Last Case." Julius Schwartz brought her back a year later in Superman No. 268 (1973), in which she has a blind date with Clark Kent, establishing their friendship, and fights alongside Superman. Batgirl and Superman team up twice more, in Superman No. 279 and DC Comics Presents #19. Batgirl also guest-starred in other Superman related titles such as No. 453 of Adventure Comics, and in Superman Family No. 171, where she teams with Supergirl. The character is given a starring role in DC's Batman Family comic book which debuted in 1975. The original Robin Dick Grayson became her partner in the series and the two were frequently referred to as the "Dynamite Duo: Batgirl & Robin." Batgirl meets Batwoman in Batman Family No. 10, when the retired superhero briefly returns to crime-fighting (before Kane is murdered by the Bronze Tiger). The two fight Killer Moth and Cavalier, and learn each other's secret identities. Batwoman retires once again at the conclusion of the story, leaving Batgirl to continue crime-fighting. Although this series ended after three years of publication,Batgirl continued to appear in back up stories published inDetective Comics through issue No. 519 (October 1982).
Crisis on Infinite Earths, a limited miniseries published in 1985, was written in order to reduce the complex history of DC Comics to a single continuity. Although Batgirl is a featured character, her role is relatively small—she delivers Supergirl's eulogy in issue seven of the 12-part series.The conclusion of Crisis on Infinite Earths changed DC Universe continuity in many ways. Following the reboot, Barbara Gordon is born to Roger and Thelma Gordon, and she is Jim Gordon's niece/adopted daughter in current canon. Post-Crisis, Supergirl does not arrive on Earth until after Gordon has established herself as Oracle; many adventures she shared with Batgirl are retroactively described as having been experienced by Power Girl. In Secret Origins #20: Batgirl and the Golden Age Dr. Mid-Nite (1987),Barbara Gordon's origin is rebooted by author Barbara Randal. Within the storyline, Gordon recounts the series of events that lead to her career as Batgirl, including her first encounter with Batman as a child, studying martial arts under the tutelage of a sensei, memorizing maps and blue prints of the city, excelling in academics in order to skip grades, and pushing herself to become a star athlete.
References
- McAvennie, Michael; Dolan, Hannah, ed. (2010), "1960s", DC Comics Year By Year A Visual Chronicle, Dorling Kindersley, p. 122, ISBN 978-0-7566-6742-9, "Nine months before making her debut on Batman, a new Batgirl appeared in the pages of Detective Comics...Yet the idea for the debut of Barbara Gordon, according to editor Julius Schwartz, was attributed to the television series executives' desire to have a character that would appeal to a female audience and for this character to originate in the comics. Hence, writer Gardner Fox and artist Carmine Infantino collaborated on "The Million Dollar Debut of Batgirl!""
- Frankenhoff, Brent (2011), Comics Buyer's Guide Presents: 100 Sexiest Women in Comics, Krause Publications, p. 20, ISBN 1-4402-2988-0
-100 Comic Book Heroes, IGN Entertainment, retrieved July 6, 2011
-Les Daniels (2004), Batman: The Complete History, Chronicle Books, pp. 113, 115, ISBN 0-8118-4232-0
-Cassell, Dewey (February 2010). "Growing Up Gordon: The Early Years of Batgirl".Back Issue (38) (TwoMorrows Publishing). pp. 65–70.
-Michael Fitzgerald (2007), Carmine infantino: Decades at DC and Beyond, archived from the original on November 24, 2007, retrieved November 23, 2007
-Les Daniels (1995), DC Comics: Sixty Years of the World's Favorite Comic Book Heroes, Bulfinch, p. 141, ISBN 0-8212-2076-4
-Mike Madrid (2009), The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, Exterminating Angel Press, pp. 136–138, ISBN 978-1-935259-03-9
-Wendi Arant; Candace Benefiel (2002), The Image and Role of the Librarian, Haworth Press, pp. 77–80, ISBN 0-7890-2099-8
-Detective No. 417, DC Comics, 1971